Disney

The emperor strikes back... again.

It's not what you might expect.

Does he have a shot at Best Supporting Actor?

This past weekend at the D23 Expo a new Star Wars: The RIse of Skywalker trailer was shown, I can't wait to see it!

Hugh Jackman is done as Wolverine — unless he returns as Old Man Logan?

Pedro Pascal, Gina Carano, and Werner Herzog (!!!) will star in the first live-action Star Wars TV series.

There’s an old expression that goes “you can never have too much of a good thing.” What this article presupposes is ... maybe you can? This topic is directly addressed by Disney CEO Bob Iger in a new interview with The Hollywood Reporter about the state of the octopus-like Star Wars franchise. Disney has been ruthlessly efficient...

Disney’s decision to fire Gunn is reportedly now final.

A Disney exec reveals details on which Marvel properties will leave Netflix for Disney’s new streaming service.

While Disney and Lucasfilm are preparing to unleash Star Wars: The Last Jedi in theaters on December 15, some theater owners aren’t feeling the Force — specifically, the demands Disney has in place for screenings and their cut of the profits. Although most moviegoers in larger markets with bigger theaters won’t have to worry about missing out on the next chapter in the Star Wars saga, fans in smaller cities might get burned.

Unlike the previous Obi-Wan Kenobi  —  sorry, Alec Guinness  —  Ewan McGregor has long been excited about the prospect of returning for more Star Wars movies, telling Empire Magazine last October that he was the “right age” to make two more movies as the beloved character. While fans were sometimes unimpressed by the prequels, McGregor’s winning performance as the young Jedi was one of the highlights of the film, leading fans to clamor for a standalone Kenobi movie while McGregor was still the right age.

Given how much space physical media takes up, it’s hard for movie buffs to say no to the great promise of “cloud storage,” and the idea that we could summon anything we want to watch with just a couple of clicks. But so far, reality hasn’t matched the hype. Streaming services have been focused on exclusives and original programming, to the extent that the only way to have access to everything available is to spend hundreds of dollars a month on subscription fees. Meanwhile, older films keep disappearing from the digital archives; and even items that cinephiles “own” sometimes become inaccessible whenever software updates or a site shutters.