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Matt Singer

Matt Singer is the managing editor and film critic of the website ScreenCrush.com. For five years, he was the on-air host of IFC News on the Independent Film Channel, hosting coverage of film festivals and red carpets around the world. He’s been a frequent contributor to the television shows CBS This Morning Saturday and Ebert Presents At the Movies, and his writing has also appeared in print and online at The Village Voice, The Dissolve, and Indiewire.
Ted 2
Universal
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‘Ted 2’ Review: Hateful Teddy Bears Are People Too, Bro

It’s funny that the poster for Ted 2 features the title character with his back to the camera and his hands suggestively poised near his crotch above the tagline “Ted is coming, again” because the whole movie revolves around the fact that Ted can’t come, not even once. Ted doesn’t have any genitals or a reproductive system, so he can’t have a baby with his wife. His search for a sperm donor eventually spills into the legal system, where a court case will decide a surprisingly complex question: Is Ted a person?

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Inside Out
Pixar
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‘Inside Out’ Review: A New Pixar Masterpiece

It’s been at least five years since the last great Pixar film (or more, depending on your feelings about Toy Story 3). In the interim, they produced a series of sequels — some quite entertaining, but few as transcendently beautiful as the original concepts that turned the studio into the most dependable brand in all of Hollywood. Their latest effort, Inside Out, isn’t just a return to form; it surpasses almost all of their previous classics. It is, from start to finish, one of the best films Pixar has ever made.

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Category: Movies Tags: ,
Christopher Lee RIP
Getty Images
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Christopher Lee, ‘Dracula’, ‘Star Wars’ and ‘Lord of the Rings’ Actor, Dead at 93

After a staggering career that spanned more than sixty years actor, Christopher Lee has died. He was 93 years old. The BBC reports he passed away on Sunday “at Chelsea and Westminster Hospital in London, after being hospitalized for respiratory problems and heart failure.” The legendary actor appeared in over 240 movies.

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‘Jurassic World’ Review: The Park Is Open and Full of Dumb People

When all you care about is money, bad things happen. That’s the message of Jurassic World, where greedy theme-park executives hoping to spike attendance engineer the “Indominus Rex,” a genetically-modified dinosaur that immediately turns on its creators and runs amok. Designed as a cautionary tale about the dangers of building a meaner, badder monster purely for the sake of profits, Jurassic World works equally well as a cautionary tale about doing the same thing in movies. All of the rationalizations provided by Jurassic World’s employees — “Consumers want them bigger, louder, more teeth.” “Somebody’s gotta make sure this company has a future!” — could have been taken directly out of the mouths of the studio executives who approved this gene splice of a reboot and a sequel. Their creation — the Indominus or the movie, there’s basically no difference — is as advertised; huge, mean, and visually striking. But this experiment is not without consequences.

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Disney
Disney
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‘Bridge of Spies’ Trailer: Tom Hanks and Steven Spielberg’s Cold War Thriller Looks Mighty Cool

When Tom Hanks and Steven Spielberg last made a war film, they produced Saving Private Ryan, which was nominated for 11 Academy Awards, and features what’s widely considered one of the greatest battle scenes ever captured on film. They’ve worked together since, including on Catch Me If You Can, one of the best movies of either man’s career, but Bridge of Spies might be considered a kind of spiritual sequel to Ryan. That was Hanks and Spielberg’s World War II picture. This is their Cold War one.

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Category: Movies Tags: ,
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The 50 Coolest Pixar Easter Eggs of All-Time

The wizards at Pixar Animation Studios are known for a few things. They’re famous for producing thrillingly original and innovative computer-animated movies. They’re known for cartoons that please adults as much as (or sometimes more than) they please children. And they’ve become even more beloved in nerdier circles for their inexhaustible dedication to Easter eggs.

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Spy Melissa McCarthy
20th Century Fox
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‘Spy’ Review: An Empowering but Uneven Female Spy Spoof

Paul Feig’s The Heat took a genre that has traditionally belonged to men — the buddy cop movie — and gave it a female twist. Feig’s new movie, Spy, does much the same thing, this time for spy films, a world that has long been by, about, and for dudes and their power fantasies. Spy explicitly subverts the genre’s typical gender dynamics by casting Melissa McCarthy as a lowly, desk-bound CIA analyst named Susan Cooper, who has spent her entire career in the shadow of a glamorous James Bond-esque spy (Jude Law) and then finally gets her opportunity to step into the spotlight and become a full-fledged field agent.

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Entourage Movie
Warner Bros.
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Review: The ‘Entourage’ Movie Is Basically ‘Entourage’ Season 9 on a Larger Screen

That’s Entourage in a nutshell. Whenever things threaten to get too serious, the show (and now the film) would just trot out a celebrity cameo or two, distract the audience for a couple minutes, and then carry on as if nothing ever happened. For better or worse, the Entourage movie is an extremely faithful adaptation of the Entourage television show. All the main characters and most of the key supporting players from the show’s eight seasons are back, along with series creator Doug Ellin (who co-wrote and directed the movie). Even though the TV show ended with its lovable bad boys making their first tentative steps toward maturity and monogamy — Vince gets engaged, his manager Eric (Kevin Connolly) finally settles down with his pregnant ex-girlfriend Sloan (Emmanuelle Chriqui), and Ari decides to retire to spend more time from his family — all of that gets instantly erased before the movie’s opening credits roll. Status quo restored, Vince, Eric, Ari, Turtle (Jerry Ferrara), and Johnny Drama (Kevin Dillon) return to their luxurious, lascivious ways with R-rated abandon. Shouldn’t these characters have grown up by now?

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Category: Movies Tags: ,
Jaws
Universal
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‘Jaws’ Is Coming Back to Theaters For Its 40th Anniversary

On June 20, 1975 a movie about an angry fish opened in about 500 theaters around the country. It was called Jaws, it was directed a guy named Steven Spielberg, it was scary as hell, and it changed the world forever. Its unique release strategy (wide instead of limited), intense television marketing campaign, and record-breaking box office essentially created the summer movie season (and made Spielberg a household name). 40 years later, regardless of its impact, Jaws remains a masterpiece, and a much better and more interesting movie than the vast majority of so-called summer blockbusters that it birthed.

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‘The End of the Tour’ Trailer: Go Road Tripping With Jason Segel and Jesse Eisenberg

In 1996, Rolling Stone sent journalist and author David Lipsky to travel with David Foster Wallace for the end of his book tour publicizing his great novel Infinite Jest. Lipsky and Wallace spent five days traveling together, and the transcripts of their conversations eventually became the basis of Lipsky’s book Although Of Course You End Up Becoming Yourself: A Road Trip with David Foster Wallace. Now the book is a movie c

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Warner Bros.
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‘San Andreas’ Review: Seek Cover From This Dumb Disaster Movie

The classics of this genre featured danger and destruction on a scale a guy could wrap his head around; a hijacked airplane, a skyscraper on fire, a capsized ocean liner filling with water. But when you live by spectacle, you die by it too. And so the disasters got bigger and bigger, one movie trying to top the next, until it became an arms race of planetary devastation. One movie blows up the White House, the next one washes it away in a tidal wave. Where do you go from there? An exploding tidal wave? At this point, if your disaster movie isn’t eradicating a large portion of the globe, don’t even waste your time.

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Category: Movies
Poltergeist
20th Century Fox
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‘Poltergeist’ Review: A Decent Remake Haunted By the Spirit of the Original

Everything that goes wrong in Poltergeist stems from an act of desecration; the building of a cookie-cutter housing development on top of an old cemetery. Some might find the sheer act of attempting a remake of Poltergeist similarly disrespectful; the 1982 original is something of a masterpiece of suburban terror. But if viewers can look past the sheer audacity of attempting another Poltergeist, they’ll find a solid modernization, the cinematic equivalent of a decent cover version of a great rock song. It’s totally superfluous, and not nearly as satisfying as the original, but well-performed and effective in its own way. It’s nice (or, in this case, deeply unsettling) to revisit an old classic in a new arrangement.

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